The Traditional Apprenticeship Model In Uzbek Vocal Art: Historical Significance And Cultural Pedagogy
DOI:
https://doi.org/10.22178/acta.27.2.13Keywords:
Maqom music, traditional music heritage, musical transmission and preservation, cultural identity, structural complexity, philosophical dimensions of music, spiritual and intellectual heritage, ethnomusicology, intangible cultural heritage.Abstract
Music, as a universal mode of artistic expression, serves as a fundamental repository of cultural identity, historical experience, and spiritual values of societies worldwide. Within the diverse spectrum of traditional musical forms, maqom-a sophisticated and deeply rooted genre originating in Central Asia-occupies a distinguished position due to its refined artistic language and intricate structural organization. The transmission and preservation of this complex musical system necessitate not only advanced technical proficiency but also a comprehensive understanding of its aesthetic principles, historical development, and philosophical foundations. Consequently, maqom represents not merely a musical genre, but a holistic cultural phenomenon that embodies the intellectual and spiritual heritage of the region. This article discusses the traditional learning model in uzbek singing: historical significance and cultural pedagogy.



