The Historical and Cultural Significance of Maqam Music

Authors

  • Ayubov Kabil Zaidovich, Mirzayev Farxod Kamildjanovich, Akhmedov Elmurod G‘anisherovich, Yuldashev Makhamadjon Usubjonovich

DOI:

https://doi.org/10.22178/acta.27.2.12

Keywords:

Maqam, Eastern musical traditions, Traditional music, Maqam theory, Mugham (Azerbaijani music), Muqam (Uyghur music), Dastgah (Iranian classical music), Raga (Indian classical music), Cultural heritage, Intercultural exchange, Historical musical connections, Intangible cultural heritage.

Abstract

Maqam music represents a profound and intricate art form deeply rooted in the ancient cultural heritage of the Eastern Muslim world. Across different peoples and regions, the concept of maqam has been uniquely interpreted and named according to local traditions and musical systems. For instance, in Uzbek and Tajik cultures, it is referred to as “maqom” among the Uyghurs as “muqom” in Azerbaijan as “mugham” while Arabs and Turks use the term “maqam”. Similarly, in Iranian music, the analogous system is called “dastgah”. And in Indian classical music, the equivalent concept is known as “raga”. These diverse terms and interpretations reflect a rich tapestry of cultural exchange and historical interconnectedness among these civilizations. This article discusses maqom music and its historical and cultural significance.

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Published

2026-06-04

How to Cite

Ayubov Kabil Zaidovich, Mirzayev Farxod Kamildjanovich, Akhmedov Elmurod G‘anisherovich, Yuldashev Makhamadjon Usubjonovich. (2026). The Historical and Cultural Significance of Maqam Music. Acta Scientiae, 27(2), 113–118. https://doi.org/10.22178/acta.27.2.12

Issue

Section

Articles